A man carries cash. A man looks out for those around him — woman, friend, stranger. A man can cook eggs. A man can always find something good to watch on television. A man makes things — a rock wall, a table, the tuition money. Or he rebuilds — engines, watches, fortunes. He passes along expertise, one man to the next. Know-how survives him. A man fantasizes that kung fu lives deep inside him somewhere. A man is good at his job. Not his work, not his avocation, not his hobby. Not his career. His job. It doesn’t matter what his job is, because if a man doesn’t like his job, he gets a new one.
A man can speak to dogs.
A man listens, and that’s how he argues. He crafts opinions. He can pound the table, take the floor. It’s not that he must. It’s that he can.
A man can look you up and down and figure some things out. Before you say a word, he makes you. From your suitcase, from your watch, from your posture. A man infers.
A man owns up. That’s why Mark McGwire is not a man. A man grasps his mistakes. He lays claim to who he is, and what he was, whether he likes them or not.
Some mistakes, though, he lets pass if no one notices. Like dropping the steak in the dirt.
A man can tell you he was wrong. That he did wrong. That he planned to. He can tell you when he is lost. He can apologize, even if sometimes it’s just to put an end to the bickering.
A man does not wither at the thought of dancing. But it is generally to be avoided.
Style — a man has that. No matter how eccentric that style is, it is uncontrived. It’s a set of rules.
A man loves the human body, the revelation of nakedness. He loves the sight of the pale bosom, the physics of the human skeleton, the alternating current of the flesh. He is thrilled by the wrist and the sight of a bare shoulder. He likes the crease of a bent knee.
Maybe he never has, and maybe he never will, but a man figures he can knock someone, somewhere, on his bottom.
A man doesn’t point out that he did the dishes.
A man knows how to ridicule.
A man gets the door. Without thinking.
He stops traffic when he must.
A man knows how to lose an afternoon. Playing Grand Theft Auto, driving aimlessly, shooting pool.
He knows how to lose a month, also.
A man welcomes the coming of age. It frees him. It allows him to assume the upper hand and teaches him when to step aside.
He understands the basic mechanics of the planet. Or he can close one eye, look up at the sun, and tell you what time of day it is. Or where north is. He can tell you where you might find something to eat or where the fish run. He understands electricity or the internal-combustion engine, the mechanics of flight or how to figure a pitcher’s ERA.
A man does not know everything. He doesn’t try. He likes what other men know.
A man knows his tools and how to use them — just the ones he needs. Knows which saw is for what, how to find the stud, when to use galvanized nails.
A miter saw, incidentally, is the kind that sits on a table, has a circular blade, and is used for cutting at precise angles. Very satisfying saw.
He does not rely on rationalizations or explanations. He doesn’t winnow, winnow, winnow until truths can be humbly categorized, or intellectualized, until behavior can be written off with an explanation. He doesn’t see himself lost in some great maw of humanity, some grand sweep. That’s the liberal thread; it’s why men won’t line up as liberals.
A man resists formulations, questions belief, embraces ambiguity without making a fetish out of it. A man revisits his beliefs. Continually. That’s why men won’t forever line up with conservatives, either.
A man is comfortable being alone. Loves being alone, actually. He sleeps.
Or he stands watch. He interrupts trouble. This is the state policeman. This is the poet. Men, both of them.
A man loves driving alone most of all.
A man watches. Sometimes he goes and sits at an auction knowing he won’t spend a dime, witnessing the temptation and the maneuvering of others. Sometimes he stands on the street corner watching stuff. This is not about quietude so much as collection. It is not about meditation so much as considering. A man refracts his vision and gains acuity. This serves him in every way. No one taught him this — to be quiet, to cipher, to watch. In this way, in these moments, the man is like a zoo animal: both captive and free. You cannot take your eyes off a man when he is like that. You shouldn’t. Who knows what he is thinking, who he is, or what he will do next.
Monday, November 30, 2009
What Is A Man? (Tom Chiarella)
Thursday, November 26, 2009
Winter Playlist
I witnessed snow for the first time tonight, so it's high time the winter playlist was rolled out. Winter is an oft misunderstood season and it takes a special sort of individual to endure it without succumbing to the quiet dark. The months bring about events requiring one to traverse a veritable landscape of moods and emotions. Despair is constantly around the corner. Hope is a necessity. The idea that eventually, little by little, green will once again return and give way to an entirely different atmosphere is one that gives comfort. Sentimentality is heightened throughout the holidays. No other season is as turbulent as winter, when excesses are explored and the consequences realized.
Winter, outwardly known for its embodiment of death, instead represents life. We invite those we (hopefully) love to be around us and once again make memories, stories to be told the next time we come together. All great works of art tell a story. It is with that idea in mind I created this mix. Highs, lows, inbetweens. Interpret it for yourself. Lasts about two hours and is best played through in one sitting. Enjoy.
http://www.youtube.com/watch?v=0QvJ3dXqmvw&feature=PlayList&p=2910CEF2C7310F55&index=0&playnext=1
1. Dr. Dog - Heart It Races
2. Jens Lekman - The Opposite of Hallelujah
3. Feist - I Feel It All
4. Best Coast - When I'm With You
5. Mumford and Sons - Little Lion Man
6. Bon Iver - For Emma
7. Volcano Choir - Island, IS
8. Lisa Hannigan - An Ocean and a Rock
9. Radiohead - House of Cards
10. Bowerbirds - Northern Lights
11. Justin Townes Earle - Can't Hardly Wait
12. Ryan Adams - Cold Roses
13. Old Crow Medicine Show - Wagon Wheel
14. Gillian Welch - Oh, Sister (Dylan cover)
15. Bon Iver - The Wolves (Act I & II)
16. Townes Van Zandt - Snowin' On Raton
17. Johnny Cash & June Carter - Peace In The Valley
18. Vince Guaraldi Trio - O Tannenbaum
19. Langhorne Slim - Be Set Free
20. The Clancy Brothers - The Parting Glass
Winter, outwardly known for its embodiment of death, instead represents life. We invite those we (hopefully) love to be around us and once again make memories, stories to be told the next time we come together. All great works of art tell a story. It is with that idea in mind I created this mix. Highs, lows, inbetweens. Interpret it for yourself. Lasts about two hours and is best played through in one sitting. Enjoy.
http://www.youtube.com/watch?v=0QvJ3dXqmvw&feature=PlayList&p=2910CEF2C7310F55&index=0&playnext=1
1. Dr. Dog - Heart It Races
2. Jens Lekman - The Opposite of Hallelujah
3. Feist - I Feel It All
4. Best Coast - When I'm With You
5. Mumford and Sons - Little Lion Man
6. Bon Iver - For Emma
7. Volcano Choir - Island, IS
8. Lisa Hannigan - An Ocean and a Rock
9. Radiohead - House of Cards
10. Bowerbirds - Northern Lights
11. Justin Townes Earle - Can't Hardly Wait
12. Ryan Adams - Cold Roses
13. Old Crow Medicine Show - Wagon Wheel
14. Gillian Welch - Oh, Sister (Dylan cover)
15. Bon Iver - The Wolves (Act I & II)
16. Townes Van Zandt - Snowin' On Raton
17. Johnny Cash & June Carter - Peace In The Valley
18. Vince Guaraldi Trio - O Tannenbaum
19. Langhorne Slim - Be Set Free
20. The Clancy Brothers - The Parting Glass
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